[M] Is a desi girl, now young woman, born without bones.
Dubbed – but not widely acknowledged, as a member of Homo Ruber – a reference to the Indian Rubber Woman.
It was quickly decided that, to better fit into society, she would be fitted with artificial bones – first of lacquered wood, eventually 3d printed. These were not 1:1 matches of bones, but were trial-and-error customized to be used for locomotion without direct attachment, making them easier to replace as [m] grew older, with longer versions appropriate to age and weight. Only a small set would be replaced at once.
[m] is legally blind. She also can not talk. Surprisingly, her hearing as adequate. It come apparent why this is surprising when seeing her – she has no head or neck. This decision was eventually arrived at after a few attempts to install a faux skeleton – he body does not seem to have a centralized brain, mouth ears or nose. The closest it has is a blowhole and a toothless oral-like cavity. The later is somewhat proximate to a navel, the former mid-shoulderblades. The exact means of hearing is not as obvious.
She has limited sign language, responding to spoken word. The can read braille, and has learned to write with extremely poor penmanship, preferring to touch-type.
Due to strict training regimen, she generally can move indistinguishably from a “normal” person in areas she is familiar with. One may assume her parents were extremely hands-on though the years, literally molding her into a proper young lady, despite keeping her from the public eye.
While she now lives independently, it’s believe she is funded by a mix of governmental and parental contributions. Possibly she takes remote dictation for a small additional income.
However, free of her parents direct supervision, she has started to explore ‘improper’ movements; contortions and explorations of her physical form. There is some evidence she has engineered replacements of her 3d printed skeletal frame specifically adapted to these efforts, allowing her to twist and collapse in ways their previous designs would not allow. This would be more a challenge of design, as she would have been trained in their replacement previously.
A few barely edited self made recordings of her demonstrations can be found on the internet, open to public comment. She seems to relish the confusion of commenters, perhaps as a reflection of the confusion she may often feel over senses she has no chance to experience.
Her contortions are not necessarily to emphasize her lack of head, but do not fail to flaunt that feature if convenient.
– Her first video was the “plow pose”, with an additional curl to the chest to make it look like she had been able to push her head and neck up her rectum
– Subsequent videos were demonstrations of front and straddle splits, and hip mobility in general, the phone camera angled low enough to keep shoulders out of frame.
– a cheerleader “scorpion” displaying a standing oversplit. Bending the knee would normally hook her calf over the shoulder, Spent extra time repositioning it to be centered exactly where her neck would be
– Shoulder-stand as an alternative to headstand
– short Cheststand backbend livestream to show her touch typing and writing, digital braille reader visible and Text to speech audible in stream. shoulders pressed into knees, seems to lean sideways when thinking
– First demonstration of “topless pose”, a frontbend where she wraps her torso around her pelvis tightly, her arms disappearing in the attempt. In the initial attempt it is a tight wrap for human standards, but not nearly as tight as she would eventually accomplish. She seems connected to her first plow video; her arms have *actually* been inserted up what counts as a digestive tract. Subsequent attempt would push her ribcage, certainly altered, in as well.
– Outfits, including saree. Most are standard, a few are without a neck hole. Complains in comments about sometimes sticking an arm up the neck hole instead of the arm hole.
– Splits while in topless, noted compactness. clock-leg demonstration.
– Lunges,walking, plow in topless – Navel extrusion – Uddiyana & Nauli demonstration
– Showing eating and drinking with navel. Slight signs of future “trunk” development
– first demonstration of “spineless” – a backbend around the pelvis. Already seems more developed than initial topless, possibly because of lack of spinal features.
– navel kazoo failure (not her breath point)
– “Waiststand”, spineless with visible abdomen pressed to ground. Splits and clock moves.
– “Face reveal?” with mannequin head strapped to shoulders
– “Skin hood”, pulling enough skin from breasts, ribcage, abdomen to make food over mannequin.
– “trunk”, pronounced navel extension
– “First Person”, go-pro style camera mounted to shoulders, carefully walking down a forrest trail
– “We have first person at home”, gopro setup again, “normal” stretches at home.
– “Is it a furry without fur?”, Spineless demonstration with trunk as tail.
– “topless: when ass eats you” progress update, wider hips greatly reduces bulge around pelvis
– “distracts you with curves”, frontbend like legs behind head, manages to make thighs an butt look like attached breasts. Handstand-walking and repositioning yields believable bounce. Talking about tailoring gives “fake” commenters inroads. Previous visibility of prosthetic bones through skin brought up.
– “I’ll show you my boners” Femur, tibia, and fibula extracted and shown on camera, leg is wrung with them extracted, video ends while they are being reinserted
– “Let me serve you” Spineless demonstration. navel tail is almost aligned with tailbone, significant concavity in pelvis. maid miniskirt and tights. tries to set up at table setting – goblet, plate, multiple forks and knives. not the neatest. Completely fails to fill the goblet with some sort of soda. Pelvis *can* clench the 2 liter bottle sitting in the concavity, just the angles are nearly impossible with the table height.
– “swinging” – her legs aren’t visible, she is held above the ground by her hands. Her hanging torso and pelvis slowly swing back and forth, being curled up to her breasts and back multiple times.
– “It’s too hot out” – Sweating, She’s got a large bottle of water feeding directly into her navel. Her abdomen shifts and it bubbles every so often. She’s stretching her breasts longer, thinner. She braids them together with an icepop, then flips the braid over her shoulders and lays on it like a pillow.
– armplay, experiments with arms through head hole
– carrying things with skim stretched from front of pelvis, hollowing abdomen
– say no to skeleton removal
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